Behringer Clones: Part 5

Continuing my series on Behringer clones, I’ve just written up a post on the Behringer MIC100/MIC200 compared to the ART Tube MP series. They’re a set of tube preamps (also functional as DIs) for relatively cheap and seem to be targeted for home studio use. As always, go to my new site and take a look!

Behringer Clones: Part 3 and 4

I’ve continued to add to my series on Behringer clones with a post on the Behringer Ultra-DI DI400P and DI600P as well as one on the Vintage Tube Overdrive TO800 on my new site. Take a look!

Behringer Clones

Well, I’ve gotten a start on a new series of posts on my new site on Behringer. There are constantly complaints of Behringer copying products from other manufacturers, and so I thought it would be interesting to do a little investigative comparison. I’ve started with an explanatory introduction and a look at the Behringer TU100, TU300 alongside the Boss TU-2.

Shure E4 Full Review

I’ve finally finished the full review of the Shure E4 in-ears at my new site, take a look here…

Moved!

I’ve moved this site to its own domain, http://www.allthingsaudio.org/. Visit me there!

Behringer, Good or Bad?

For those of you who don’t know, Behringer is a German company that does their manufacturing in China. They’re an audio equipment company that seems to specialize in copying existing designs from other manufacturers. While I believe they do have some original equipment, many of their products are “ripoffs” sold at a much lower price than the original. It’s always obvious that they’re Behringer products, and there’s no attempt to fool the customer, but sometimes even the names are not so subtle hints as to which products they’re emulating (Xenyx vs. Onyx anyone?).

If you lurk around various internet forums involving pro audio equipment, you’ll quickly find that people are usually pretty polarized about Behringer. Some people love the great value, and the fact that equipment formerly only available to the pro is made available (through a lower price) to the amateur. Others are upset at the blatant copying, and go as far as to advocate and practice boycott of the company. Still others are merely leery, citing poor build quality.

Pitch Perception Test

Another interesting little test from Jake Mandell, the same guy who brought us the tone deaf test… My results for this one:

 

 

I’ve had a reasonable amount of music training, and some of those tones I listened for 10+ times before I could decide.

EMI Experimenting With DRM-Free MP3s

You can read the article from Ars Technica here, but it seems the music industry realizes that consumers want control over their music…  whether they’re going to actually cede that or not is another question that remains to be seen.

Guitar Picks

One of the tiny things that you might not think matter in playing guitar is pick selection. When I was just starting guitar (I started on acoustic steel-string) I played on whatever I had lying around, which generally meant the standard cellulose picks. They sound OK, but tend to break a lot, especially over time. After a while I got sick of my picks breaking and settled on Dunlop’s Nylon Standard picks. They proved to be much longer-lasting, but I really wasn’t satisfied with the sound I got out of them. They lacked the bite that better cellulose picks seemed to have. Plus in the end they wore down anyway.

I did find that I had one teardrop-shaped yellow Tortex pick (coincidentally also by Dunlop) that I did like and it lasted forever, but I lost it at some point and never thought much about it. In recent years, a few of my friends started using the red Tortex picks. I gave them a try, but hated them. They’re way too floppy for me, and I can’t get the kind of tone I want out of them, especially when doing more picking as opposed to strumming. By this time I had started playing electric guitar a reasonable amount too, so I needed something for picking single-note stuff. Still, the Tortex picks were definitely durable. They tended to get lost, disappear, or get “borrowed” (haha, you know it’s true) rather than wearing out or breaking. Soon after, I picked up some orange and yellow Tortex picks and they were much better. As I had remembered, but with the standard shape. The orange is slightly lighter which I like when doing more strumming on the acoustic. One annoying thing about Tortex picks though is that the printed black text smears almost immediately. Gets on your fingers. Small price to pay though.

At one point way back in high school, one of the guitarists I knew that I played with for a short stint introduced me to the Big Stubby line of picks. Guess who makes them. Hah, yeah, Dunlop. (I swear it’s coincidental!) Apparently I’m a Dunlop pick fanboy. Anyway, it was interesting (for electric, not acoustic). They are just as they sound–big fat picks that have virtually no give. Anyway, he gave me one or two, but I lost them after a while and didn’t use them much anyway since at that time I was just learning and really didn’t know how to do too much more than just strum chords. Just recently I decided to try them again, and I found that I really like them! Even for acoustic. Not for general strumming on the acoustic of course (though you can get away with it), but for single note picking stuff I really feel like it adds to the body of my tone. I haven’t used them that long yet, but I think I’ll be switching primarily to these for now. Hopefully they’re as durable as the Tortex picks.

Dynaudio BM5a Review

Buy it at zZounds for $999.95/pair (Dec. 6, 2006)

It’s been a long wait getting these speakers setup. OK, actually it’s only been a week or two, but it sure feels like a long time. First of course I had to wait for all my new equipment to arrive. The speakers themselves really didn’t take all that long and arrived earlier this week, but the cables and audio interface (Echo Layla3G, I’ll write more about it in another post some other day) took a little longer to arrive. I then found that the TRS plugs on my cables were too thick to fit into Layla3G one above the other which is necessary seeing as the outputs are linked in left/right pairs. Sigh. Anyway, I got around that by using unbalanced cables with smaller connectors to my mixer, and then outputting a balanced signal to the speakers. I am actually starting to feel like it’d be nice to have one of those control centers like the Mackie Big Knob Control Center, but it just seems like a lot of money just for essentially a mixer with a big volume control, so I think I’ll live with my mixer for now. Anyway, onto the review…